beside remains", is sung very quietly on a unison E-flat,
harmonically quite distant from the hymn which is
in the key of E major. The measure of rest after
"remains" is meant to emphasize the emptiness
the now surrounds the statue.
©2010 David Rupp
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The twelve line of the poem, beginning with "Nothing beside remains", is sung very quietly on a unison E-flat, harmonically quite distant from the hymn which is in the key of E major. The measure of rest after "remains" is meant to emphasize the emptiness the now surrounds the statue. |
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©2010 David Rupp |
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